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It would have been better, of course, if this 1984 production of Donizetti's Anna Bolena, or at least its title role, had been filmed 20 years earlier, when Joan Sutherland's voice was in its spectacular prime. But like her Canadian Opera Norma, dating from 1981, this is a better-late-than-never documentation of one of the most remarkable voices of the 20th century.
Lotfi Mansouri spared no effort or expense in making this production special. He personally directed the staging, and handpicked an outstanding cast (right down to the very young and then-unknown Ben Heppner in the small role of Hervey). The visual elements--sets, costumes, and camera work--are also handled with great care, and Sutherland's positive response to this dedication can be sensed in her performance as the unfortunate wife of King Henry VIII. James Morris is best-known as a Wagnerian singer--perhaps the leading Wotan of our time--but he is equally at home in many of the villainous roles that are the fate of bass- baritones (Iago, Scarpia, Don Giovanni). In this sinister tale of an innocent woman ruthlessly destroyed, he shows a surprising knack for the bel canto style. Judith Forst is also excellent in the role of Jane Seymour. --Joe McLellan
Donizetti - Anna Bolena / Bonynge, Sutherland, Morris, Canadian Opera Company [VHS] Reviews
Donizetti - Anna Bolena / Bonynge, Sutherland, Morris, Canadian Opera Company [VHS] Reviews
| 19 of 22 people found the following review helpful By Scott Holmes (Wilmette, IL United States) - See all my reviews This review is from: Donizetti - Anna Bolena / Bonynge, Sutherland, Morris, Canadian Opera Company (DVD) On May 22, 1984 Joan Sutherland gave her very first performance as Donizetti's Anna Bolena in Toronto. Two performances later, on May 28, the performance was televised with the premiere cast and quite a premiere cast it was: James Morris as Henry VIII, Judith Forst as Jane Seymour, Michael Myers as Percy and in the small role of Hervey, the as yet unknown Ben Heppner. Pirate videos have been floating around for years of this performance but what a treat it is to see this mint copy looking as if it were being telecast today! Sumptuous costumes and appropriately stern sets along with excellent camera work help the singers to bring their characters vividly to life. Even though Sutherland was definitely in her later years, there is plenty of voice left to cope with the many vocal as well as dramatic challenges of this role. It is also a great opportunity to see James Morris as Henry -- a role he rarely performed and never recorded. The role offers no vocal difficulties that Morris... Read more 11 of 13 people found the following review helpful By This review is from: Donizetti - Anna Bolena / Bonynge, Sutherland, Morris, Canadian Opera Company (DVD) In a perfect world, there would have been a video "Anna Bolena" with Maria Callas, but with that out of the question, I find this Sutherland version quite good. True --- her voice is not what it would have been ten years earlier ------ but it's still an impressive instrument quite capable of commanding the role. Secondly, she sounds considerably better here than she does on the London studio recording of 1987 (recorded three years after this performance). The supporting cast here is excellent, the orchestra plays well for Bonynge, and the picture is pretty good. I'm a great Callas admirer, but I truly find Sutherland's contribution to the art of bel canto to be as basic and fundamental as was Callas'. This is an excellent "Anna Bolena" , and if there are those who have a problem with Sutherland's downward transposition of the final scene by a whole step, they should simply give this performance a pass. Personally, I'm glad that Sutherland took this role into her repertoire, even... Read more 8 of 9 people found the following review helpful By Opera fan "bravadamejoan" (Southampton, NJ United States) - See all my reviews This review is from: Donizetti - Anna Bolena / Bonynge, Sutherland, Morris, Canadian Opera Company (DVD) This Anna Bolena recording does not have the best audio or visual quality that we really desire.However, it is an extremely important document and shows why Dame Joan was still "La Stupenda" at age close to 60 !It is ashame that the Met refused to mount this opera for Sutherland during her raving success around the world-a great lost for New Yorker!This is a must for any opera lover---------including fans of Dame Joan. |
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